Pine Row Issue No. 5 Summer 2022 - Featured Poet
by Pine Row Editorial Board
How did you get started as a poet?
I began writing as a young girl, thanks to my mother’s encouragement. I had a very bad speech problem and I wrote stories about animals and insects who did not fit in (much like the “Ugly Duckling”). I remember one story was called “The Ladybug Who Had No Spots.”
My college roommate, the wonderful writer Michelle Mitchell-Foust, encouraged me to take a poetry writing class with her. We were lucky to be taught and tutored by the treasured poet Bruce Guernsey who opened up the world of poetry to me.
Bruce taught me many lessons about poetry. One that I think about a lot is that “the best poetry walks the line of sentimentality.” It’s a very hard thing to write a poem that touches people but is not sentimental.
Favorite quote?
I recently put a stickie note above my desk with a quote attributed to William James: “I don’t sing because I’m happy; I’m happy because I sing.”
It reminds me to do the things that make me happy, which can include writing (when I manage to get out of my own way and let the words flow).
What book is currently on your bedside table?
I have a several hills of books in my bedroom. This past week, I have been re-reading The Icemaker Sings and Other Poems by Andres Montoya, a magnificent poet who died too young. I’m also reading the novel A Little Life by Hanya Yanagihara, which reads like poetry in many places.
Advice to someone just starting to write poetry?
Give it up for a time. Try not to write poetry for weeks or months.
If you start to feel unhinged, half-baked, disconnected from your soul, then you may be a poet. Start to write again on a regular basis. If you start to feel yourself again, then you have to stick with it. You have no choice. It’s who you are.
Anything else you'd like us to know? (personal website, upcoming reading or new work, etc.)
I’d like to thank the LaGrange Writers Group for their help in refining my poem “Bumper Crop.” It’s wonderful to have a group of fellow writers to laugh and share with.
Maggie Kennedy’s poems have appeared in Epiphany, Meat for Tea, Cloudbank, Atticus Review, and other publications. She lives in the Chicago suburbs with her family and works as a freelance writer and editor.