Pine Row Issue No. 11 Autumn 2025 - Featured Poet
After Reading Charles Wright (I Go Outside)
The Oregon lottery sign
Shone like a North Star against the
Lesser light of the street-lamp
Octagonal ricochet
It wasn’t the heat or
The cat’s solemn gaze affixed
On the lamp-lit moth
That did it
Nor the sanctity of those Sunday
Nighters trickling out of the
Barlow Tavern on their way back
Home; neither was it the hour
Or ‘After Reading Wang Wei, I Go Outside
To the Full Moon’— though it must not be
Entirely divorced from any of these
It’s difficult to say just
What you mean
Word-wash and thought-bog
Thick as July’s end and
Just now cooling down
Moon like a poker chip
Being slid across the sky
And the sign
With its fingers crossed
Wang Wei’s eternal wager
Hoping for nothing
Promising something
From the Desk of the Poet:
This is one of the rare poems that mostly tells the truth, in regard to how and when it was written: I had recently read that fantastic piece from Charles Wright, and I went outside to the balcony of my apartment to relax, and potentially (hopefully) write. The poem was not quite written in one go, but the line edits I did make were mostly made to shorten the later stanzas and to strip down the language, as both Wang Wei and Wright would have cautioned. It is both harder and easier to write a poem ‘after’ another poet such as this. Easier because there is already some clay on the table, and images to respond to; harder because of the pressure of ‘living up to’ the original piece, and in the effort it takes to avoid making a kind of carbon copy of whatever inspired the piece. I am lucky that it all came together for this poem. I hope you enjoy it.
Joshua grew up on the Oregon Coast, and studied poetry and philosophy at Linfield University. He teaches English and Creative Writing in Portland, Oregon.
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